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The Way of All Flesh

by Samuel Butler

Category: Fiction

Status: Available

Source: Public Domain — Project Gutenberg

About This Book

"The Way of All Flesh" by Samuel Butler is a semi-autobiographical novel written between 1873 and 1884, though published posthumously in 1903. This scathing attack on Victorian hypocrisy follows four generations of the Pontifex family, centering on Ernest Pontifex's turbulent journey from oppressive childhood to troubled adulthood. Dominated by hypocritical parents and navigating theological crises, prison, a disastrous marriage, and eventual liberation, Ernest's story captured the anti-Victorian sentiment of its time, earning recognition as a landmark English novel. (This is an automatically generated summary.)

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The Way of All Flesh

by Samuel Butler

“We know that all things work together for good to them that love God.”—ROM. viii. 28

PREFACE

Samuel Butler began to write “The Way of All Flesh” about the year 1872, and was engaged upon it intermittently until 1884. It is therefore, to a great extent, contemporaneous with “Life and Habit,” and may be taken as a practical illustration of the theory of heredity embodied in that book. He did not work at it after 1884, but for various reasons he postponed its publication. He was occupied in other ways, and he professed himself dissatisfied with it as a whole, and always intended to rewrite or at any rate to revise it. His death in 1902 prevented him from doing this, and on his death-bed he gave me clearly to understand th

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About This Edition

This edition of The Way of All Flesh by Samuel Butler is catalogued on Libreya under Fiction and runs approximately 162,303 words — about 812 minutes of reading at an average pace. It is sourced from Project Gutenberg, the world's oldest digital library of public domain literature, founded in 1971 by Michael Hart, and every text on Libreya has been verified to be free of copyright restrictions in the United States. You can view the original Project Gutenberg edition here.

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About Classic Fiction

Classic fiction represents the highest achievements of literary imagination. The novels in this genre have shaped how generations of readers understand human nature, society, and the fundamental questions of existence. Reading 19th and early 20th-century novels offers far more than historical interest: these stories explore love, ambition, morality, and identity with an insight that remains startlingly relevant today. Authors like Tolstoy, Dostoevsky, Austen, Hardy, and Dickens wrote for readers much like us — people trying to make sense of a complicated world — and their observations on class, relationships, power, and conscience carry across centuries with barely diminished force. Classic fiction is also where the novel as an art form reached some of its greatest heights: innovative narrative structures, deeply realized characters, and prose styles that reward slow, attentive reading. These are not museum pieces. They are living works that continue to be discussed, adapted, and argued over because they capture something essential and enduring about human experience.

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